Nobiles Magazine interview
Joseph Klibansky (27) was four years ago. Now hang his works around the world, he has the CD sleeve designed by Armin van Buuren and his work for a huge amount went under the hammer.
Germaine: € 34.350 for a job receive!
Joseph: Yes, that was auctioned at Sotheby's.
Germaine: Why do people pay so much money?
Joseph: Because each piece is unique and there two months working in it. Each work has many layers, it contains photography, paint and glass a liquid process. That's a technique I developed myself. This creates a 3D effect and brightness. 99% saw working with plexiglass (think of David LaChapelle, ed) I thought 'what else can I do? "When I came out at the casting resin. Then I am really in a white coat in a laboratory.
Germaine: Do you have a patent?
Joseph: No, see it more as a secret recipe. I get quite a few questions from the art world what I do. But I keep to myself.
Germaine: How did you come from?
Joseph: My style appeals to many people, so that gives confidence. In the beginning I own money to invest. Then I rented a booth at an art fair and I went with the other galleries are.
Germaine: And if you roll it between?
Joseph: Yes, now I am at fairs in the U.S., Geneva, Mumbai, Dubai and I have chosen a gallery that suits me. I started to work around € 1500 and now cost some € 15,000 or more for the door.
Germaine: You've done Nooteboom. An artist with business acumen is a golden combination. Is that your power?
Joseph: Well, my strength is more communication. I watch a lot of knowledge to Discovery and suck like a sponge. That, combined with my genuine interest in others, provides a good and interesting communication.
Germaine: As an artist you are much alone. Loneliness is a theme in your life?
Joseph: I work with a team of 7 men. We organize exhibitions, receiving collectors, providing shipments. It is working frames. Everyone is very dedicated. So no, I'm not lonely.
Germaine: Do you work in this style?
Joseph: My style is what I call New Urban Wonderland. I keep it yet, but I'm working on two other styles. That only come on the market as the museum has quality.
Germaine: Where do you hang?
Joseph: In the MET in New York, for example in central locations. I focus on the international summit in the art world and the reactions I see the potential of my work. Within five years it may be that I get 1 million for a job. The more money, how my work is spectacular.
Germaine: How do you see the future?
Joseph: I want my work to the highest level lifting, conquer the world. But firmly. Art must be exclusive, only retains its value. There should not Klibansky's example, it's Ferrari. What I'm thinking about is my work in limited edition poster to form, so that my work with students at home and hang.
Germaine and mugs printed?
Joseph: No, no, no. No mugs. You see I never do.
